“ The characters are slaves to their own fetishization of commodities. This fetishization is responsible for the failure of Carrie’s wedding to Big. Dressed in their billowing designer costumes like unwitting circus clowns, she and her friends fuss around the limousine to carry Carrie to her wedding. “It’s like trying to push a cream-puff through a keyhole,” comments the token homosexual figure (who serves as the Jester) regarding the difficulty of fitting Carrie’s extravagant Vivienne Westwood gown within the limousine. Here, Carrie is quite literally overwhelmed by her own materialism.
- Drunk e-mail from my little sister: Will watching Sex and the City make you into a communist?
Maybe! Anthony Lane in the New Yorker name checks Marx in his review of the film.